Before I forget, the specifications for the watercolor paper CTMH offers for purchase is: "Watercolor paper: 220 lb. (hot press, no coating)". I thought the paper felt like it had a light coating and, from what I read on blogs, others did too; I am guessing we had that impression due to the hot press process.
This is a photo of the CTMH Watercolor Paper after embossing using a VersaMark™ Ink Pad and Ranger™ Clear Super Fine Embossing Powder, but before painting. I was going for a resist technique.
This is also after embossing, with a White Daisy Exclusive Inks™ Stamp Pad and Ranger™ White Super Fine Embossing Powder, but before watercoloring.
And here are the panels after watercoloring; I sprinkled regular table salt on this one. You may be able to see it near the right side of the greeting.
Here is a close up of the area where you can see impact of the salt.
I was really hoping for a much more noticeable resist look. That is why I did not use this panel for the blog hop.
On this sample I also used some salt, but it is so subtle that I am not posting any close-up photos; even having a photo of this panel with the salt still on it, I have a hard time seeing the impact of the salt.
Since I really prefer the look of heat embossing after watercoloring, this panel did not get made into a card for the blog hop.
On the sample below, I tried to create an ombré look. I thought the watercolor paper and paint was too dry for the salt to do anything, but what a great impact the sea salt created. After it was dry and I brushed the salt off, I wished I had put more salt on.
As I mentioned the other day, my personal preference is to heat emboss after watercoloring. But I was on a roll while I was trying different things that I did not wait for paints to dry before pressing on. I hope what I shared here and on previous posts will help you determine how you want to start, or things to try, using your watercolor paints.
The supplies I used to create these panels:
- My Acrylix™ National Stamping Month Hello, Life!—Scrapbooking Stamp Set (CC1040)
- My Acrylix™ National Stamping Month Hello, Life!—Cardmaking Stamp Set (CC1041)
- White Daisy Exclusive Inks™ Stamp Pad (Z2163)
- VersaMark™ Ink Pad (Z891)
- Ranger™ Clear Super Fine Embossing Powder (Z2088)
- Ranger™ White Super Fine Embossing Powder (Z2068)
- Watercolor Paints (Z3132)
- Paintbrush Set (Z3188)
- Supplies not from Close To My Heart: Ranger™ Archival Ink - Jet Black, anti-static bag (brand unknown), table salt, sea salt
- Black Exclusive Inks™ Stamp Pad (Z2105) - dye ink/water base; there is a re-inker available: Black Exclusive Inks™ Re-inker (Z2205); the description from my OBA is "Single-color dye-based ink in patented swivel-top stamp pad."
- Archival Black Exclusive Inks™ Stamp Pad (44751) - dye ink; the description from my OBA is "Waterproof, lightfast, fade-proof, and non-smearing, archival black ink locks your stamped designs to the paper. Acid free."
- Black StazOn™ Ink Pad (Z888) - dye ink/solvent base; there is a re-inker available: Black StazOn™ Re-inker (Z889); the description from my OBA is "Appropriate for all surfaces. Designed for decorating non-porous surfaces such as glass, metal, coated paper, and leather, use StazOn™ with stamps or Sponge Daubers for a unique “stained glass” appearance. Acid free. (Not recommended for fabrics.) Tsukineko®."
- Memento™ Tuxedo Black Ink Pad (Z899) - dye ink; the description from my OBA is "The black Memento™ ink pad is an archival quality ink pad that works for any stamping project and can be used with alcohol markers, watercolors, or any of our other coloring options."
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